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He suffers from nostalgia, and in his loneliness memories take him away from his daily routine, immersing him in a journey back to his village in Guna Yala, where a botanical doctor confronts him with the impossibility of returning to the past. Deep inside the Argentinian highlands in a small community at an altitude of meters, a native llama herder is following the traces of an invisible puma who is killing his livestock.

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During the days of celebration, a crowd of spirits Oklahoma street escort the village. Rocks of four colours compose the landscape of Menorca. A route from the darkest to the lightest of the rocks will guide the film-maker on a journey back to his native land: an island that is sinking, inhabited by his younger brother, who has decided to remain there.

Travelling by boat along the deep Amazon forest, a Portuguese director searches for a language that was imposed upon the Indians by his ancestors. Through this mixed language, Nheengatu, and by sharing the shooting with the local population, the film takes shape as these two worlds come together.

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He was a giant in his field, his great works resembling pristine pieces of art, studied by students and masters alike, all searching for answers their maker was notoriously reticent to give.

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The spaces we navigate are organised according to the idea of intimacy. We move based on proximity, keeping a constant relational metric between different private spheres and the interstice between them. One projects memories and emotions onto the sea or the mountains. Or strangers start a relationship in a city that is also strange. Sometimes even with the very city and its catacombs. Or one revisits a place that was once familiar, but is now absolutely unrecognisable. Pain, loss, love and desire may also reach the other in a sharing gesture, establishing bridges and somewhat easing loneliness.

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Caetano also presents new information produced by the dictatorship about the reasons for his detainment, shedding light on the arbitrary brutality of that time in Brazilian history. A video camera captures fleeting moments. In The Missing Onethe camera is also what brings closer.

Two films based on the ghosts inhabiting the landscape.

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Northern Range displays the transformations on the French coast between Dunkirk and Calais, given that time erases what people build. The tension between lucidity and dementia will shape a new notion of personhood, able to live and perceive the world in another way. Two Syrian refugees from two different wars rebuild their home.

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A Vida em Comum follows a period in the life of Poeta and Belinha, a couple of Cape Verdean origin who lives in a community scheduled to be dismantled: the neighbourhood of Barruncho, Free online personals Odessa Odivelas. Uncertain about the future, Poeta and Belinha take care of their animals and crops, and adjust to the daily changes.

Feeling finds form in three tales of being together, apart. As moving image, cinema is capable of delivering impermanence as nothing else. The screen conveys a series of moments set in time as a whole in constant change.

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Many women talk. They tell their stories. The loss, death and struggle of being, alongside others. Navigating, becoming, transforming.

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A film constructed through playful call and response. Lives unfolding over a listless Russian summer. A long night with a young Angie escort Chicago Illinois IL, swimming in cliquey waters armed with aspiration, cynicism and digital nous. Making a Living in the Dry Season is an intimate portrait of a family living off agriculture and shepherding in Namibe, Angola.

In this session, the eye of the film-makers meditates on landscape, human intervention and poetry. Luciana Fina filmed during confinement, questioning the Alentejo landscape under threat.

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They share the intimacy of daily life, habits, beliefs, tastes and even some physical traits.